High Plains Grifter
The Life and Crimes of George W. Bush
By JEFFREY ST. CLAIR

Part One: The Ties That Blind

The mad cowboys are on the loose. Pack only what you can carry. Liberate the animals. Leave the rest behind. The looters are hot on the trail. Only ruin stands in their wake. Not even women and children are safe. Especially not them. Run for the hills and don't look back. Don't ever look back.

So the story goes, anyway.

We find ourselves living out a scene in a bad Western. A movie filmed long after all the old plot lines have been exhausted, the grizzled character actors put out to pasture, the Indians slaughtered and confined to desert prisons, the cattle slotted into stinking feed lots, the scenic montane backdrops pulverized by strip mines. All that remains are the guns, bulked up beyond all comprehension, and the hangman and his gibbet. We've seen it all before. But there's no escape now. Someone's locked the exits. The film rolls on to the bitter end. Cue music: Toby Keith.

Perhaps only the Pasolini of Salo: 120 Days of Sodom could have done this celluloid scenario justice. Or the impish Mel Brooks, who gave us Blazing Saddles (one of the greatest films on the true nature of American politics), if you understand the narrative as comedy, which is probably the most emetic way to embrace it. Both Pasolini and Brooks are masters of scatological cinema. And there's mounds of bullshit to dig through to get at the core of George W. Bush.

Link to con.